The Silkworm

  Praise for The Cuckoo’s Calling

  ‘A brilliant depiction of London life… at heart it’s an engrossing and well-crafted who-dunnit. Unsurprisingly excellent’

  Sunday Mirror

  ‘Instantly absorbing… Kate Atkinson’s fans will appreciate his reliance on deduction and observation along with Galbraith’s skilled storytelling’

  Booklist

  ‘A formidable storyteller… the plot is tightly moulded and told’

  Mark Lawson, Guardian

  ‘I loved it’

  Peter James

  ‘A scintillating novel set in the world of models, rappers, fashion designers, druggies and illicit liaisons’

  The Times

  ‘In a rare feat, Galbraith combines a complex and compelling sleuth and an equally well-formed and unlikely assistant with a baffling crime… Readers will hope to see a lot more of this memorable sleuthing team’

  Publishers Weekly

  ‘The most engaging British detective to arrive so far this year’

  Daily Mail

  ‘[The] descriptions of contemporary London are excellent’

  Mail on Sunday

  ‘An accomplished piece’

  Financial Times

  ‘A highly entertaining book… its narrative moves forward with propulsive suspense’

  New York Times

  ‘Laden with plenty of twists and distractions, this debut ensures that readers will be puzzled and totally engrossed’

  Library Journal

  ‘Utterly compelling… a team made in heaven’

  Saga Magazine

  ‘A gripping, finely crafted and atmospheric mystery, and its charismatic hero, ex-soldier-turned-private-eye Cormoran Strike, is a brilliant creation’

  Sunday Business Post

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  The Silkworm

  Table of Contents

  Praise for The Cuckoo’s Calling

  COPYRIGHT

  Dedication

  Epigraph

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  28

  29

  30

  31

  32

  33

  34

  35

  36

  37

  38

  39

  40

  41

  42

  43

  44

  45

  46

  47

  48

  49

  One week later

  50

  Acknowledgements

  To Jenkins,

  without whom…

  he knows the rest

  … blood and vengeance the scene, death the story,

  a sword imbrued with blood, the pen that writes,

  and the poet a terrible buskined tragical fellow,

  with a wreath about his head of burning match instead of bays.

  The Noble Spanish Soldier

  Thomas Dekker

  1

  QUESTION

  What dost thou feed on?

  ANSWER

  Broken sleep.

  Thomas Dekker, The Noble Spanish Soldier

  ‘Someone bloody famous,’ said the hoarse voice on the end of the line, ‘better’ve died, Strike.’

  The large unshaven man tramping through the darkness of pre-dawn, with his telephone clamped to his ear, grinned.

  ‘It’s in that ballpark.’

  ‘It’s six o’clock in the fucking morning!’

  ‘It’s half past, but if you want what I’ve got, you’ll need to come and get it,’ said Cormoran Strike. ‘I’m not far away from your place. There’s a—’

  ‘How d’you know where I live?’ demanded the voice.

  ‘You told me,’ said Strike, stifling a yawn. ‘You’re selling your flat.’

  ‘Oh,’ said the other, mollified. ‘Good memory.’

  ‘There’s a twenty-four-hour caff—’

  ‘Fuck that. Come into the office later—’

  ‘Culpepper, I’ve got another client this morning, he pays better than you do and I’ve been up all night. You need this now if you’re going to use it.’

  A groan. Strike could hear the rustling of sheets.

  ‘It had better be shit-hot.’

  ‘Smithfield Café on Long Lane,’ said Strike and rang off.

  The slight unevenness in his gait became more pronounced as he walked down the slope towards Smithfield Market, monolithic in the winter darkness, a vast rectangular Victorian temple to meat, where from four every weekday morning animal flesh was unloaded, as it had been for centuries past, cut, parcelled and sold to butchers and restaurants across London. Strike could hear voices through the gloom, shouted instructions and the growl and beep of reversing lorries unloading the carcasses. As he entered Long Lane, he became merely one among many heavily muffled men moving purposefully about their Monday-morning business.

  A huddle of couriers in fluorescent jackets cupped mugs of tea in their gloved hands beneath a stone griffin standing sentinel on the corner of the market building. Across the road, glowing like an open fireplace against the surrounding darkness, was the Smithfield Café, open twenty-four hours a day, a cupboard-sized cache of warmth and greasy food.

  The café had no bathroom, but an arrangement with the bookies a few doors along. Ladbrokes would not open for another three hours, so Strike made a detour down a side alley and in a dark doorway relieved himself of a bladder bulging with weak coffee drunk in the course of a night’s work. Exhausted and hungry, he turned at last, with the pleasure that only a man who has pushed himself past his physical limits can ever experience, into the fat-laden atmosphere of frying eggs and bacon.

  Two men in fleeces and waterproofs had just vacated a table. Strike manoeuvered his bulk into the small space and sank, with a grunt of satisfaction, onto the hard wood and steel chair. Almost before he asked, the Italian owner placed tea in front of him in a tall white mug, which came with triangles of white buttered bread. Within five minutes a full English breakfast lay before him on a large oval plate.

  Strike blended well with the strong men banging their way in and out of the café. He was large and dark, with dense, short, curly hair that had receded a little from the high, domed forehead that topped a boxer’s broad nose and thick, surly brows. His jaw was grimy with stubble and bruise-coloured shadows enlarged his dark eyes. He ate gazing dreamily at the market building opposite. The nearest arched entrance, numbered two, was taking substance as the darkness thinned: a stern stone face, ancient and bearded, stared back at him from over the doorway. Had there ever been a god of carcasses?

  He had just started on his sausages when Dominic Culpepper arrived. The journalist was almost as tall as Strike but thin, with a choirboy’s complexion. A strange asymmetry, as though somebody had given his face a counterclockwise twist, stopped him being girlishly handsome.

  ‘This better be good,’ Culpepper said as he sat down, pulled off his gloves and glanced almost suspiciously around the café.

  ‘Want some food?’ asked Strike through a mouthful of sausage.

  ‘No,’ said Culpepper.

  ‘Rather wait till you c
an get a croissant?’ asked Strike, grinning.

  ‘Fuck off, Strike.’

  It was almost pathetically easy to wind up the ex-public schoolboy, who ordered tea with an air of defiance, calling the indifferent waiter (as Strike noted with amusement) ‘mate’.

  ‘Well?’ demanded Culpepper, with the hot mug in his long pale hands.

  Strike fished in his overcoat pocket, brought out an envelope and slid it across the table. Culpepper pulled out the contents and began to read.

  ‘Fucking hell,’ he said quietly, after a while. He shuffled feverishly through the bits of paper, some of which were covered in Strike’s own writing. ‘Where the hell did you get this?’

  Strike, whose mouth was full of sausage, jabbed a finger at one of the bits of paper, on which an office address was scribbled.

  ‘His very fucked-off PA,’ he said, when he had finally swallowed. ‘He’s been shagging her, as well as the two you know about. She’s only just realised she’s not going to be the next Lady Parker.’

  ‘How the hell did you find that out?’ asked Culpepper, staring up at Strike over the papers trembling in his excited hands.

  ‘Detective work,’ said Strike thickly, through another bit of sausage. ‘Didn’t your lot used to do this, before you started outsourcing to the likes of me? But she’s got to think about her future employment prospects, Culpepper, so she doesn’t want to appear in the story, all right?’

  Culpepper snorted.

  ‘She should’ve thought about that before she nicked—’

  With a deft movement, Strike tweaked the papers out of the journalist’s fingers.

  ‘She didn’t nick them. He got her to print this lot off for him this afternoon. The only thing she’s done wrong is show it to me. But if you’re going to splash her private life all over the papers, Culpepper, I’ll take ’em back.’

  ‘Piss off,’ said Culpepper, making a grab for the evidence of wholesale tax evasion clutched in Strike’s hairy hand. ‘All right, we’ll leave her out of it. But he’ll know where we got it. He’s not a complete tit.’

  ‘What’s he going to do, drag her into court where she can spill the beans about every other dodgy thing she’s witnessed over the last five years?’

  ‘Yeah, all right,’ sighed Culpepper after a moment’s reflection. ‘Give ’em back. I’ll leave her out of the story, but I’ll need to speak to her, won’t I? Check she’s kosher.’

  ‘Those are kosher. You don’t need to speak to her,’ said Strike firmly.

  The shaking, besotted, bitterly betrayed woman whom he had just left would not be safe left alone with Culpepper. In her savage desire for retribution against a man who had promised her marriage and children she would damage herself and her prospects beyond repair. It had not taken Strike long to gain her trust. She was nearly forty-two; she had thought that she was going to have Lord Parker’s children; now a kind of bloodlust had her in its grip. Strike had sat with her for several hours, listening to the story of her infatuation, watching her pace her sitting room in tears, rock backwards and forwards on her sofa, knuckles to her forehead. Finally she had agreed to this: a betrayal that represented the funeral of all her hopes.

  ‘You’re going to leave her out of it,’ said Strike, holding the papers firmly in a fist that was nearly twice the size of Culpepper’s. ‘Right? This is still a fucking massive story without her.’

  After a moment’s hesitation and with a grimace, Culpepper caved in.

  ‘Yeah, all right. Give me them.’

  The journalist shoved the statements into an inside pocket and gulped his tea, and his momentary disgruntlement at Strike seemed to fade in the glorious prospect of dismantling the reputation of a British peer.

  ‘Lord Parker of Pennywell,’ he said happily under his breath, ‘you are well and truly screwed, mate.’

  ‘I take it your proprietor’ll get this?’ Strike asked, as the bill landed between them.

  ‘Yeah, yeah…’

  Culpepper threw a ten-pound note down onto the table and the two men left the café together. Strike lit up a cigarette as soon as the door had swung closed behind them.

  ‘How did you get her to talk?’ Culpepper asked as they set off together through the cold, past the motorbikes and lorries still arriving at and departing the market.

  ‘I listened,’ said Strike.

  Culpepper shot him a sideways glance.

  ‘All the other private dicks I use spend their time hacking phone messages.’

  ‘Illegal,’ said Strike, blowing smoke into the thinning darkness.

  ‘So how—?’

  ‘You protect your sources and I’ll protect mine.’

  They walked fifty yards in silence, Strike’s limp more marked with every step.

  ‘This is going to be massive. Massive,’ said Culpepper gleefully. ‘That hypocritical old shit’s been bleating on about corporate greed and he’s had twenty mill’ stashed in the Cayman Islands…’

  ‘Glad to give satisfaction,’ said Strike. ‘I’ll email you my invoice.’

  Culpepper threw him another sideways look.

  ‘See Tom Jones’s son in the paper last week?’ he asked.

  ‘Tom Jones?’

  ‘Welsh singer,’ said Culpepper.

  ‘Oh, him,’ said Strike, without enthusiasm. ‘I knew a Tom Jones in the army.’

  ‘Did you see the story?’

  ‘No.’

  ‘Nice long interview he gave. He says he’s never met his father, never had a word from him. I bet he got more than your bill is going to be.’

  ‘You haven’t seen my invoice yet,’ said Strike.

  ‘Just saying. One nice little interview and you could take a few nights off from interviewing secretaries.’

  ‘You’re going to have to stop suggesting this,’ said Strike, ‘or I’m going to have to stop working for you, Culpepper.’

  ‘Course,’ said Culpepper, ‘I could run the story anyway. Rock star’s estranged son is a war hero, never knew his father, working as a private—’

  ‘Instructing people to hack phones is illegal as well, I’ve heard.’

  At the top of Long Lane they slowed and turned to face each other. Culpepper’s laugh was uneasy.

  ‘I’ll wait for your invoice, then.’

  ‘Suits me.’

  They set off in different directions, Strike heading towards the Tube station.

  ‘Strike!’ Culpepper’s voice echoed through the darkness behind him. ‘Did you fuck her?’

  ‘Looking forward to reading it, Culpepper,’ Strike shouted wearily, without turning his head.

  He limped into the shadowy entrance of the station and was lost to Culpepper’s sight.

  2

  How long must we fight? for I cannot stay,

  Nor will not stay! I have business.

  Francis Beaumont and Philip Massinger,

  The Little French Lawyer

  The Tube was filling up already. Monday-morning faces: sagging, gaunt, braced, resigned. Strike found a seat opposite a puffy-eyed young blonde whose head kept sinking sideways into sleep. Again and again she jerked herself back upright, scanning the blurred signs of the stations frantically in case she had missed her stop.

  The train rattled and clattered, speeding Strike back towards the meagre two and a half rooms under a poorly insulated roof that he called home. In the depths of his tiredness, surrounded by these blank, sheep-like visages, he found himself pondering the accidents that had brought all of them into being. Every birth was, viewed properly, mere chance. With a hundred million sperm swimming blindly through the darkness, the odds against a person becoming themselves were staggering. How many of this Tube-full had been planned, he wondered, light-headed with tiredness. And how many, like him, were accidents?

  There had been a little girl in his primary school class who had a port-wine stain across her face and Strike had always felt a secret kinship with her, because both of them had carried something indelibly different with them si
nce birth, something that was not their fault. They couldn’t see it, but everybody else could, and had the bad manners to keep mentioning it. The occasional fascination of total strangers, which at five years old he had thought had something to do with his own uniqueness, he eventually realised was because they saw him as no more than a famous singer’s zygote, the incidental evidence of a celebrity’s unfaithful fumble. Strike had only met his biological father twice. It had taken a DNA test to make Jonny Rokeby accept paternity.

  Dominic Culpepper was a walking distillation of the prurience and presumptions that Strike met on the very rare occasions these days that anybody connected the surly-looking ex-soldier with the ageing rock star. Their thoughts leapt at once to trust funds and handsome hand-outs, to private flights and VIP lounges, to a multi-millionaire’s largesse on tap. Agog at the modesty of Strike’s existence and the punishing hours he worked, they asked themselves: what must Strike have done to alienate his father? Was he faking penury to wheedle more money out of Rokeby? What had he done with the millions his mother had surely squeezed out of her rich paramour?